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Tickle Me Pink

Profile of Tickle Me Pink

Type(s) of Music: Rock/Alternative Rock

Names of Members of Group:

  • Sean Kennedy-lead vocals, guitar/bass

  • Stefan Runstrom-drums

  • Johnny Schou-bass/guitar, backup vocals

  • Steven Beck-guitar, vocals

 

Place of Origin: Fort Collins, Colorado

Year the Act Began: 2006

Musical Influences: At The Drive In, Third Eye Blind, Brand New, Rage Against The Machine

Tickle Me Pink Picture 

Biography/History of Tickle Me Pink

Tickle Me Pink Madeline Album  CoverFort Collins, Colorado sits just outside of the bustling urban landscape of Denver. Money Magazine dubbed Fort Collins, “the number one place to live in America.” Representing suburbia at its finest and the American dream for some, the setting is as safe and unchallenging as it comes. Boiling to the surface of the Fort Collins music scene, Tickle Me Pink has challenged the status quo, attempting to peel away the veneer of alleged perfection in a small town.

Formed in 2005, Tickle Me Pink includes Sean Kennedy (lead vocals, guitar, bass), Johnny Schou (bass, guitar, backup vocals), Stefan Runstrom (drums), and Steven Beck (guitar, vocals). Tickle Me Pink has built a loyal following by playing hundreds of live shows and independently releasing two EPs, If Only We Were Twenty One And Up (2005) and Half Seas Over (2006), and their newly conceived full-length, Madeline. Selling out the 650-capacity Aggie Theater in Fort Collins, Tickle Me Pink has become one of the biggest bands in Colorado. The band has toured throughout the United States, gaining fans wherever they go. Tickle Me Pink recorded their debut album, Madeline, at The Blasting Room in Fort Collins. Produced by Lee Miles (The Red Jumpsuit Apparatus), the epic album explores brutal breakups, love, loss, drug use, mortality and the trappings of suburbia.

Tickle Me Pink singer and lyricist Sean Kennedy used Madeline as a means to challenge his own personal demons. “I have lots of inward battles. I was raised in a very religious home; I constantly struggle with my conscience, a higher purpose, contentment and the curse of always wanting more,” says Kennedy. “I have to make music, it makes me whole, and it is a part of my blood and soul.”

Standout track “The Time Is Wrong” is a song that deals with inner conflict and personal struggle. Kennedy explains, “This is a darker song about the devil within us all. Its goal is to portray how selfish our flesh is. There might be a raging battle in our heads, but we are too prideful to not hurt someone else, someone else who is unhappy brings comfort. So what would make you feel better: hurting the person so they are miserable alongside you, or being alone for the night? The entire song is an internal struggle.” From the addictive melodies and explosive vocals on “Typical” to the roaring rocker “I Can’t Breathe” and the heartbreaking exploration of suicide on “Tomorrow’s Ending,” Tickle Me Pink have crafted a sonically challenging album that is as varied and eclectic as you will find in rock today.

With only two members of the band able to legally drink, the musical prowess and bleeding of youth is evident in Tickle Me Pink. The band’s blunt force trauma of honesty and exploration of life is captured on Madeline. Despite their age, each band member has accumulated years of experience.

Sean Kennedy has played music for over 11 years, taking lessons for opera, guitar and piano. Kennedy has developed a unique style all of his own and was trained by classical guitarist Dave Beegle. Outside of Tickle Me Pink, he also released an acoustic solo album in 2006.

Guitarist and bassist Johnny Schou has an ear for songwriting that far exceeds his age. The co-writer of Tickle Me Pink cut his teeth as an assistant engineer at The Blasting Room in Fort Collins where he worked with the legendary Bill Stevenson (The Descendents, Black Flag, Lemonheads).“I began working under Bill when I was 17. He was the first “father figure” in my life, and I quickly picked up on his ideas and approach to not only music and producing but also life. Bill is the most humble and modest person I know; the hours spent with him are really what make me the person I am today. I have a no bullshit approach to life,” says Schou.

Serving as an engineer at The Blasting Room, Schou worked on a wide-range of albums that helped shape his appreciation for songwriting and recording. Schou worked on albums from modern punk legends like Propagandhi (Potekmin City Limits), The Descendents (Myage), The Casualties (Under Attack), Comeback Kid (Wake The Dead, Broadcasting) and his all-time favorite band, Rise Against (The Suffer And The Witness).

Drummer Stefan Runstrom was immediately added to Tickle Me Pink when fellow members watched him win a battle of the bands on his own. A session drummer and drum teacher, Runstrom’s powerful technique is the backbone of Tickle Me Pink. Runstrom started playing at the age of 12. His early inspiration was classic rock, particularly John Bonham of Led Zeppelin. After Bonham, it was Dave Grohl of the Foo Fighters who really made Runstrom want to play drums.

Tickle Me Pink were a three piece for over a year before guitarist Steven Beck joined the group. The band played the Coors Amphitheatre in Denver with Social Distortion when they decided that they needed another member for a bigger live sound. Beck has been playing guitar since age six. Beck has taught guitar for four years at the Academy of Guitar in Fort Collins and currently teaches over 30 students at the Academy and hosts a live show with them every three months.

Influential Denver radio station KTCL added “Typical” in late 2007 and generated a substantial amount of interest behind the band. The station has been credited with helping jumpstart the careers of Colorado artists including The Fray, Meese and Single File. Tickle Me Pink signed with Wind-Up Records in January 2008, choosing a label that shared the band’s philosophy of long-term career development.

The urgency and depth of Tickle Me Pink is best captured with the title track of their new album. "Madeline" is a cautionary tale of substance abuse, documenting the death of the album's namesake heroine. "Madeline" is introduced slowly with Kennedy's quiet vocals, picking up stream as the stomping of the bass and drums beat down. The beautifully tragic song builds sharply; accelerating at an ambitious pace into a frantic frenzy as the words “Madeline” are screamed.

Kennedy states, “Madeline represents my friends who have gone off of the deep end. It illustrates how sorry I feel that my impact on some of my friends has not been more positive. Every activity shared in the song may have been fun at the time, but ultimately brought Madeline to her death. Living with the thought that you might have been the final straw is a tough mental battle.”

With influences that recall the bombastic tension of At The Drive-In, the heart-on-the-sleeve approach of Brand New, the pop sensibilities of Third Eye Blind and the explosive energy of Rage Against The Machine, Madeline defies convention. With an onslaught of modern artists pigeonholed into singular sounds, Madeline is an eclectic offering that changes colors like a chameleon, yet never loses its heart or identity.

Biography from their official MySpace.com page

 

Tickle Me Pink Videos

 

"Typical"

 

"Madeline"

 

Listen to Music

"The Time Is Wrong" (Mp3)
"Typical" (Windows Media)
"Typical" (Real)

Discography

Madeline (2008)

Wind-Up Records

     

Typical

The Time Is Wrong

The Lush Life

Madeline

We Still Dance

We're Not Alone

The Answer

I Can't Breathe

Go Die

Beside the Others

Tomorrow's Ending

Click here for our review of this album

   

 

Filmography

FilmographyGoesHere

Pictures of Tickle Me Pink (click on any image below to enlarge)

Tickle Me Pink Photo

Tickle Me Pink Pic

Tickle Me Pink

Tickle Me Pink Logo

Related Links

Official Tickle Me Pink MySpace.com page

Tour Dates

Oct 17th @ State Theatre, St. Petersburg, Florida
Oct 18th @ Culture Room, Ft. Lauderdale, Florida
Oct 20th @  Floyd’s Music Store, Tallahassee, Florida
Oct 21st @ Masquerade, Atlanta, Georgia
Oct 23rd @ House of Blues, New Orleans, Louisiana
Oct 24th @  The Village, Little Rock, Arkansas
Nov 1st @ White Rabbit, San Antonio, Texas
Nov 3rd @  Martini Ranch, Scottsdale, Arizona
Nov 6th @  Dome, Bakersfield, California
Nov 7th @  Glass House, Pomona, California
Nov 8th @ House of Blues, Los Angeles, CA
Nov 9th @  Grand Ballroom, San Francisco, California
Nov 10th @  Crystal Ballroom - Lola’s, Portland, Oregon
Nov 11th @  The Big Easy, Boise, Idaho
Nov 13th @  Ogden Theatre, Denver, Colorado
Nov 15th @  People’s Court, Des Moines, Iowa
Nov 16th @  Station 4, St. Paul, Minnesota
Nov 17th @  The Granada Theater, Lawrence, Kansas
Nov 18th @ Metro, Chicago, Illinois
Nov 20th @  St. Andrews Hall, Detroit, Michigan
Nov 21st @  Southgate House, Newport, Kentucky
Nov 22nd @  Rex Theatre, Pittsburgh, Pennsylvania
Nov 24th @  Wilbur Theatre, Boston, Massachusetts
Nov 25th @ Irving Plaza, New York, New York
Nov 26th @  The Chance, Poughkeepsie, New York
Nov 28th @ Recher Theatre, Towson, Maryland
Nov 29th @  The National, Richmond, Virginia
Nov 30th @ Norva, Norfolk, Virginia

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