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Tickle Me Pink
Profile of
Tickle Me Pink
Type(s) of Music: Rock/Alternative Rock
Names of Members of Group:
Sean Kennedy-lead vocals, guitar/bass
Stefan Runstrom-drums
Johnny Schou-bass/guitar, backup vocals
Steven Beck-guitar, vocals
Place of Origin: Fort Collins, Colorado
Year the Act Began: 2006
Musical Influences: At The Drive In, Third Eye Blind, Brand New, Rage
Against The Machine
Biography/History of
Tickle Me Pink
Fort Collins, Colorado sits just outside of the bustling urban landscape
of Denver. Money Magazine dubbed Fort Collins, “the number one place to
live in America.” Representing suburbia at its finest and the American
dream for some, the setting is as safe and unchallenging as it comes.
Boiling to the surface of the Fort Collins music scene, Tickle Me
Pink has challenged the status quo, attempting to peel away the
veneer of alleged perfection in a small town.
Formed in 2005, Tickle Me Pink includes Sean Kennedy (lead
vocals, guitar, bass), Johnny Schou (bass, guitar, backup
vocals), Stefan Runstrom (drums), and Steven Beck (guitar,
vocals). Tickle Me Pink has built a loyal following by playing hundreds
of live shows and independently releasing two EPs, If Only We Were
Twenty One And Up (2005) and Half Seas Over (2006), and their
newly conceived full-length, Madeline. Selling out the 650-capacity
Aggie Theater in Fort Collins, Tickle Me Pink has become one of the
biggest bands in Colorado. The band has toured throughout the United
States, gaining fans wherever they go. Tickle Me Pink recorded their
debut album, Madeline, at The Blasting Room in Fort Collins. Produced by
Lee Miles (The Red Jumpsuit Apparatus), the epic album explores brutal
breakups, love, loss, drug use, mortality and the trappings of suburbia.
Tickle Me Pink singer and lyricist Sean Kennedy used Madeline as a means
to challenge his own personal demons. “I have lots of inward battles. I
was raised in a very religious home; I constantly struggle with my
conscience, a higher purpose, contentment and the curse of always
wanting more,” says Kennedy. “I have to make music, it makes me whole,
and it is a part of my blood and soul.”
Standout track “The Time Is Wrong” is a song that deals with inner
conflict and personal struggle. Kennedy explains, “This is a darker song
about the devil within us all. Its goal is to portray how selfish our
flesh is. There might be a raging battle in our heads, but we are too
prideful to not hurt someone else, someone else who is unhappy brings
comfort. So what would make you feel better: hurting the person so they
are miserable alongside you, or being alone for the night? The entire
song is an internal struggle.” From the addictive melodies and explosive
vocals on “Typical” to the roaring rocker “I Can’t Breathe” and
the heartbreaking exploration of suicide on “Tomorrow’s Ending,” Tickle
Me Pink have crafted a sonically challenging album that is as varied and
eclectic as you will find in rock today.
With only two members of the band able to legally drink, the musical
prowess and bleeding of youth is evident in Tickle Me Pink. The band’s
blunt force trauma of honesty and exploration of life is captured on
Madeline. Despite their age, each band member has accumulated years of
experience.
Sean Kennedy has played music for over 11 years, taking lessons for
opera, guitar and piano. Kennedy has developed a unique style all of his
own and was trained by classical guitarist Dave Beegle. Outside of
Tickle Me Pink, he also released an acoustic solo album in 2006.
Guitarist and bassist Johnny Schou has an ear for songwriting that far
exceeds his age. The co-writer of Tickle Me Pink cut his teeth as an
assistant engineer at The Blasting Room in Fort Collins where he worked
with the legendary Bill Stevenson (The Descendents, Black Flag,
Lemonheads).“I began working under Bill when I was 17. He was the first
“father figure” in my life, and I quickly picked up on his ideas and
approach to not only music and producing but also life. Bill is the most
humble and modest person I know; the hours spent with him are really
what make me the person I am today. I have a no bullshit approach to
life,” says Schou.
Serving as an engineer at The Blasting Room, Schou worked on a
wide-range of albums that helped shape his appreciation for songwriting
and recording. Schou worked on albums from modern punk legends like
Propagandhi (Potekmin City Limits), The Descendents (Myage), The
Casualties (Under Attack), Comeback Kid (Wake The Dead, Broadcasting)
and his all-time favorite band, Rise Against (The Suffer And The
Witness).
Drummer Stefan Runstrom was immediately added to Tickle Me Pink when
fellow members watched him win a battle of the bands on his own. A
session drummer and drum teacher, Runstrom’s powerful technique is the
backbone of Tickle Me Pink. Runstrom started playing at the age of 12.
His early inspiration was classic rock, particularly John Bonham of Led
Zeppelin. After Bonham, it was Dave Grohl of the Foo Fighters who really
made Runstrom want to play drums.
Tickle Me Pink were a three piece for over a year before guitarist
Steven Beck joined the group. The band played the Coors Amphitheatre in
Denver with Social Distortion when they decided that they needed another
member for a bigger live sound. Beck has been playing guitar since age
six. Beck has taught guitar for four years at the Academy of Guitar in
Fort Collins and currently teaches over 30 students at the Academy and
hosts a live show with them every three months.
Influential Denver radio station KTCL added “Typical” in late 2007 and
generated a substantial amount of interest behind the band. The station
has been credited with helping jumpstart the careers of Colorado artists
including The Fray, Meese and Single File. Tickle Me Pink signed with
Wind-Up Records in January 2008, choosing a label that shared the band’s
philosophy of long-term career development.
The urgency and depth of Tickle Me Pink is best captured with the title
track of their new album. "Madeline" is a cautionary tale of substance
abuse, documenting the death of the album's namesake heroine. "Madeline"
is introduced slowly with Kennedy's quiet vocals, picking up stream as
the stomping of the bass and drums beat down. The beautifully tragic
song builds sharply; accelerating at an ambitious pace into a frantic
frenzy as the words “Madeline” are screamed.
Kennedy states, “Madeline represents my friends who have gone off of the
deep end. It illustrates how sorry I feel that my impact on some of my
friends has not been more positive. Every activity shared in the song
may have been fun at the time, but ultimately brought Madeline to her
death. Living with the thought that you might have been the final straw
is a tough mental battle.”
With influences that recall the bombastic tension of At The Drive-In,
the heart-on-the-sleeve approach of Brand New, the pop sensibilities of
Third Eye Blind and the explosive energy of Rage Against The Machine,
Madeline defies convention. With an onslaught of modern artists
pigeonholed into singular sounds, Madeline is an eclectic offering that
changes colors like a chameleon, yet never loses its heart or identity.
Oct 17th @ State Theatre,
St. Petersburg, Florida
Oct 18th @ Culture Room, Ft. Lauderdale, Florida
Oct 20th @ Floyd’s Music Store, Tallahassee, Florida
Oct 21st @ Masquerade, Atlanta, Georgia
Oct 23rd @ House of Blues, New Orleans, Louisiana
Oct 24th @ The Village, Little Rock, Arkansas
Nov 1st @ White Rabbit, San Antonio, Texas
Nov 3rd @ Martini Ranch, Scottsdale, Arizona
Nov 6th @ Dome, Bakersfield, California
Nov 7th @ Glass House, Pomona, California
Nov 8th @ House of Blues, Los Angeles, CA
Nov 9th @ Grand Ballroom, San Francisco, California
Nov 10th @ Crystal Ballroom - Lola’s, Portland, Oregon
Nov 11th @ The Big Easy, Boise, Idaho
Nov 13th @ Ogden Theatre, Denver, Colorado
Nov 15th @ People’s Court, Des Moines, Iowa
Nov 16th @ Station 4, St. Paul, Minnesota
Nov 17th @ The Granada Theater, Lawrence, Kansas
Nov 18th @ Metro, Chicago, Illinois
Nov 20th @ St. Andrews Hall, Detroit, Michigan
Nov 21st @ Southgate House, Newport, Kentucky
Nov 22nd @ Rex Theatre, Pittsburgh, Pennsylvania
Nov 24th @ Wilbur Theatre, Boston, Massachusetts
Nov 25th @ Irving Plaza, New York, New York
Nov 26th @ The Chance, Poughkeepsie, New York
Nov 28th @ Recher Theatre, Towson, Maryland
Nov 29th @ The National, Richmond, Virginia
Nov 30th @ Norva, Norfolk, Virginia
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Star? Then
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how!