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Mary Louise "Meryl" Streep (born June 22, 1949[1]) is an American
actress and singer who has worked in theatre, television, and film. From
the 1970s until the present, she has been widely regarded as the most
talented and respected film actress of her era.[2][3][4]
Streep made her professional stage debut in 1971's The Playboy of Seville,
before her screen debut in the television movie The Deadliest Season in 1977. In
that same year, she made her film debut with Julia. Both critical and commercial
success came quickly with roles in The Deer Hunter (1978) and Kramer vs. Kramer
(1979), the former giving Streep her first Oscar nomination and the latter her
first win. She later won the Academy Award for Best Actress for her performances
in Sophie's Choice (1982) and The Iron Lady (2011).
Streep has received 17 Academy Award nominations, winning three, and 26 Golden
Globe nominations, winning eight, more nominations than any other actor in the
history of either award. Her work has also earned her two Emmy Awards, two
Screen Actors Guild Awards, a Cannes Film Festival award, five New York Film
Critics Circle Awards, two BAFTA awards, an Australian Film Institute Award,
five Grammy Award nominations, and a Tony Award nomination, amongst others. She
was awarded the AFI Life Achievement Award in 2004.
****
Background Information
Born Mary Louise Streep
June 22, 1949 (1949-06-22) (age 62)
Summit, New Jersey, U.S.
Occupation Actress
Years active 1971–present
Spouse Don Gummer
(m.1978–present; 4 children)
Children 4 (including Mamie Gummer and Grace Gummer)
****
Early life and background
Streep was born Mary Louise Streep in Summit, New Jersey.[5] Her mother, Mary
Wolf (née Wilkinson; 1915 - 2001), was a commercial artist and former art
editor, and her father, Harry William Streep, Jr. (1910 - 2003), was a
pharmaceutical executive.[6][7][8] She has two brothers, Dana David and Harry
William III.[9] Her patrilineal ancestry originates in Loffenau, Germany, from
where her second great-grandfather, Gottfried Streeb, emigrated to the United
States, and where one of her ancestors served as mayor. Another line of her
father's family was from Giswil, a small town in Switzerland. Her maternal
ancestry originates in Pennsylvania and Rhode Island, and partly traces back to
17th century immigrants from England.[8] Her eighth great-grandfather, Lawrence
Wilkinson, was one of the first Europeans to settle Rhode Island. Streep is also
a distant relative of William Penn, the founder of Pennsylvania, and records
show that her family were among the first purchasers of land in the
state.[10][11][12]
She was raised a Presbyterian,[13][14] and grew up in Bernardsville, New Jersey,
where she attended Bernards High School.[15] She had many school friends who
were Catholic, and regularly attended Mass because she loved its rituals.[16]
She received her B.A., in Drama at Vassar College in 1971 (where she briefly
received instruction from actress Jean Arthur), but also enrolled as an exchange
student at Dartmouth College for a quarter before it became coeducational. She
subsequently earned an M.F.A. from Yale School of Drama. While at Yale, she
played a variety of roles onstage,[17] from the glamorous Helena in A Midsummer
Night's Dream to an eighty-year old woman in a wheelchair in a comedy written by
then-unknown playwrights Christopher Durang and Albert Innaurato.[18][19][20]
Career
Early career
Streep performed in several theater productions in New York and New Jersey after
graduating from Yale School of Drama,[21] including the New York Shakespeare
Festival productions of Henry V, The Taming of the Shrew with Raúl Juliá, and
Measure for Measure opposite Sam Waterston and John Cazale, who became her lover
and with whom she lived for three years. She starred on Broadway in the
Brecht/Weill musical Happy End, and won an Obie for her performance in the
all-sung off-Broadway production of Alice at the Palace.
Streep began auditioning for film roles, and later recalled an unsuccessful
audition for Dino De Laurentiis for the leading role in King Kong. De Laurentiis
commented to his son in Italian, "She's ugly. Why did you bring me this thing?"
and was shocked when Streep replied in fluent Italian.[22] Streep's first
feature film was Julia (1977), in which she played a small but pivotal role
during a flashback scene. Streep was living in New York City with her lover,
Cazale, who had been diagnosed with bone cancer.[23] He was cast in The Deer
Hunter (1978), and Streep was delighted to secure a small role because it
allowed her to remain with Cazale for the duration of filming. She was not
specifically interested in the part, commenting, "They needed a girl between the
two guys and I was it."[24]
She played a leading role in the television miniseries Holocaust (1978) as a
German woman married to a Jewish artist in Nazi era Germany. She later explained
that she had considered the material to be "unrelentingly noble",[24] and had
taken the role only because she had needed money.[25] Streep travelled to
Germany and Austria for filming while Cazale remained in New York. Upon her
return, Streep found that Cazale's illness had progressed, and she nursed him
until his death on March 12, 1978. She spoke of her grief and her hope that work
would provide a diversion; she accepted a role in The Seduction of Joe Tynan
(1979) with Alan Alda, later commenting that she played it on "automatic
pilot",[24] and performed the role of Katherine in The Taming of the Shrew for
Shakespeare in the Park.[26] With an estimated audience of 109 million,
Holocaust brought a degree of public recognition to Streep, who was described in
August 1978 as "on the verge of national visibility".[25] She won the Primetime
Emmy Award for Outstanding Lead Actress – Miniseries or a Movie[27] for her
performance.
The Deer Hunter (1978) was released a month later, and Streep was nominated for
the Academy Award for Best Supporting Actress for her performance.
Streep played a supporting role in Manhattan (1979) for Woody Allen, later
stating that she had not seen a complete script and was given only the six pages
of her own scenes,[28] and that she had not been permitted to improvise a word
of her dialogue.[29] Asked to comment on the script for Kramer vs. Kramer
(1979), in a meeting with the producer Stan Jaffee, director Robert Benton and
star Dustin Hoffman, Streep insisted that the female character was not
representative of many real women who faced marriage breakdown and child custody
battles, and was written as "too evil".[24] Jaffee, Benton and Hoffman agreed
with Streep, and the script was revised.[24] In preparing for the part, Streep
spoke to her own mother about her life as a mother and housewife with a
career,[30] and frequented the Upper East Side neighborhood in which the film
was set.[24] Benton allowed Streep to write her dialogue in two of her key
scenes, despite some objection from Hoffman.[31] Jaffee and Hoffman later spoke
of Streep's tirelessness, with Hoffman commenting, "She's extraordinarily
hardworking, to the extent that she's obsessive. I think that she thinks about
nothing else but what she's doing."[32]
Streep drew critical acclaim for her performance in each of her three films
released in 1979: the romantic comedy Manhattan, the political drama The
Seduction of Joe Tynan and the family drama, Kramer vs. Kramer.[21] She was
awarded the Los Angeles Film Critics Association Award for Best Supporting
Actress, National Board of Review Award for Best Supporting Actress and National
Society of Film Critics Award for Best Supporting Actress for her collective
work in the three films. Among the awards won for Kramer vs. Kramer were the
Academy Award and Golden Globe Award for Best Supporting Actress.[21]
1980s
After prominent supporting roles in two of the 1970s' most successful films, the
consecutive winners of the Academy Award for Best Picture, The Deer Hunter and
Kramer vs. Kramer, and praise for her versatility in several supporting roles,
Streep progressed to leading roles. Her first was The French Lieutenant's Woman
(1981). A story within a story drama, the film paired Streep with Jeremy Irons
as contemporary actors, telling their modern story as well as the Victorian era
drama they were performing. A New York Magazine article commented that while
many female stars of the past had cultivated a singular identity in their films,
Streep was a "chameleon", willing to play any type of role.[33] Streep was
awarded a BAFTA Award for Best Actress in a Leading Role for her work.
Her next film, the psychological thriller, Still of the Night (1982) reunited
her with Robert Benton, the director of Kramer vs. Kramer, and co-starred Roy
Scheider and Jessica Tandy. Vincent Canby, writing for The New York Times, noted
that the film was an homage to the works of Alfred Hitchcock, but that one of
its main weaknesses was a lack of chemistry between Streep and Scheider,
concluding that Streep "is stunning, but she's not on screen anywhere near long
enough".[34]
As the Polish holocaust survivor in Sophie's Choice (1982), Streep's emotional
dramatic performance and her apparent mastery of a Polish accent drew
praise.[21] William Styron wrote the novel with Ursula Andress in mind for the
part of Sophie, but Streep was very determined to get the role. After she
obtained a pirated copy of the script, she went to Alan J. Pakula and threw
herself on the ground begging him to give her the part. Streep filmed the
"choice" scene in one take and refused to do it again, as she found shooting the
scene extremely painful and emotionally exhausting.[35] Among several notable
acting awards, Streep won the Academy Award for Best Actress for her
performance. Roger Ebert said of her performance, "Streep plays the Brooklyn
scenes with an enchanting Polish-American accent (she has the first accent I've
ever wanted to hug), and she plays the flashbacks in subtitled German and
Polish. There is hardly an emotion that Streep doesn't touch in this movie, and
yet we're never aware of her straining. This is one of the most astonishing and
yet one of the most unaffected and natural performances I can imagine."
She followed this success with a biographical film, Silkwood (1983), in which
she played her first real-life character, the union activist Karen Silkwood. She
discussed her preparation for the role in an interview with Roger Ebert and said
that she had met with people close to Silkwood to learn more about her, and in
doing so realized that each person saw a different aspect of Silkwood.[36]
Streep concentrated on the events of Silkwood's life and concluded, "I didn't
try to turn myself into Karen. I just tried to look at what she did. I put
together every piece of information I could find about her... What I finally did
was look at the events in her life, and try to understand her from the
inside."[36]
Her next films were a romantic drama, Falling in Love (1984) opposite Robert De
Niro, and a British drama, Plenty (1985). Roger Ebert said of Streep's
performance in Plenty that she conveyed "great subtlety; it is hard to play an
unbalanced, neurotic, self-destructive woman, and do it with such gentleness and
charm... Streep creates a whole character around a woman who could have simply
been a catalogue of symptoms."[37]
Out of Africa (1985) starred Streep as the Danish writer Karen Blixen and
co-starred Robert Redford. A significant critical success, the film received a
63% "fresh" rating from Rotten Tomatoes.[38] Streep co-starred with Jack
Nicholson in her next two films, the dramas Heartburn (1986) and Ironweed
(1987), in which she sang onscreen for the first time since the television
movie, Secret Service, in 1977. In A Cry in the Dark (1988), she played the
biographical role of Lindy Chamberlain, an Australian woman who had been
convicted of the murder of her infant daughter in which Chamberlain claimed her
baby had been taken by a dingo. Filmed in Australia, Streep won the Australian
Film Institute Award for Best Actress in a Leading Role, a Best Actress at the
Cannes Film Festival, the New York Film Critics Circle Award for Best Actress
and was nominated for several other awards for her portrayal of Chamberlain.
In She-Devil (1989), Streep played her first comedic film role, opposite
Roseanne Barr. Richard Corliss, writing for Time, commented that Streep was the
"one reason" to see the film and observed that it marked a departure from the
type of role for which she had been known, saying, "Surprise! Inside the Greer
Garson roles Streep usually plays, a vixenish Carole Lombard is screaming to be
cut loose."[39]
1990s
From 1984 to 1990, Streep won six People's Choice Awards for Favorite Motion
Picture Actress and, in 1990, was named World Favorite.
In the 1990s, Streep continued to choose a great variety of roles, including a
drug-addicted movie actress in a screen adaptation of Carrie Fisher's novel
Postcards from the Edge, with Dennis Quaid and Shirley MacLaine. Streep and
Goldie Hawn had established a friendship and were interested in making a film
together. After considering various projects, they decided upon Thelma and
Louise, until Streep's pregnancy coincided with the filming schedule, and the
producers decided to proceed with Susan Sarandon and Geena Davis.[22] They
subsequently filmed the farcical black comedy, Death Becomes Her, with Bruce
Willis as their co-star. Time's Richard Corliss wrote approvingly of Streep's
"wicked-witch routine" but dismissed the film as "She-Devil with a
make-over".[40]
Biographer Karen Hollinger describes this period as a downturn in the popularity
of Streep's films, which reached its nadir with the failure of Death Becomes
Her, attributing this partly to a critical perception that her comedies had been
an attempt to convey a lighter image following several serious but commercially
unsuccessful dramas, and more significantly to the lack of options available to
an actress in her forties.[41][clarification needed] Streep commented that she
had limited her options by her preference to work in Los Angeles, close to her
family,[41] a situation that she had anticipated in a 1981 interview when she
commented, "By the time an actress hits her mid-forties, no one's interested in
her anymore. And if you want to fit a couple of babies into that schedule as
well, you've got to pick your parts with great care."[33]
Streep appeared with Glenn Close in the movie version of Isabel Allende's The
House of the Spirits; the screen adaptation of The Bridges of Madison County
with Clint Eastwood; The River Wild; Marvin's Room (with Diane Keaton and
Leonardo DiCaprio); One True Thing; and Music of the Heart, in a role that
required her to learn to play the violin, She was nominated for the Academy
Award for Best Actress in a Leading Role for "The Bridges of Madison County",
"Music of the Heart" (where she plays the role of Roberta Guaspari) and "One
True Thing".
2000s
Streep entered the 2000s with Steven Spielberg's A.I. Artificial Intelligence, a
science fiction film about a child-like android, played by Haley Joel Osment,
uniquely programmed with the ability to love, voicing the Blue Fairy.[42] The
same year, Streep co-hosted the annual Nobel Peace Prize concert with Liam
Neeson in Oslo, Norway, and began work on Spike Jonze's comedy-drama Adaptation
(2002), in which she portrayed real-life journalist Susan Orlean. Lauded by
critics and viewers alike,[43] the film was nominated for an Academy Award for
Best Writing, and won Streep her fourth Golden Globe in the Best Supporting
Actress category.[44] Also in 2002, Streep appeared alongside Nicole Kidman and
Julianne Moore in Stephen Daldry's The Hours, based on the 1999 novel of the
same title by Michael Cunningham. Focusing on three women of different
generations whose lives are interconnected by the novel Mrs. Dalloway by
Virginia Woolf, the film was generally well-received and won all three leading
actresses a Silver Bear for Best Actress the following year.[44]
The following year, Streep had a cameo as herself in the Farrelly brothers
comedy Stuck on You (2003) and reunited with Mike Nichols to star with Al Pacino
and Emma Thompson in the HBO adaptation of Tony Kushner's six-hour play Angels
in America, the story of two couples whose relationships dissolve amidst the
backdrop of Reagan Era politics. Streep, who was cast in four roles in the
mini-series, received her second Emmy Award and fifth Golden Globe for her
performance.[44] In 2004, Streep was awarded the AFI Life Achievement Award by
the Board of Directors of the American Film Institute,[44] and appeared in
Jonathan Demme's moderately successful remake The Manchurian Candidate,[45]
co-starring Denzel Washington, playing a U.S. senator and a manipulative,
ruthless mother of a vice-presidential candidate.[46] The same year, she played
the supporting role of Aunt Josephine in Lemony Snicket's A Series of
Unfortunate Events alongside Jim Carrey, based on the first three novels in
Snicket's book series. The black comedy received generally favorable reviews
from critics,[47] and won the Academy Award for Best Makeup.[48]
Streep was next cast in the 2005 comedy Prime, directed by Ben Younger. In the
film, she played Lisa Metzger, the Jewish psychoanalyst of a divorced and
lonesome business-woman, played by Uma Thurman, who enters a relationship with
Metzger's 23-year-old son (Bryan Greenberg). A modest mainstream success, it
eventually grossed US$67.9 million internationally.[49] In 2006, Streep, along
with Lily Tomlin, portrayed the last two members of what was once a popular
family country music act in Robert Altman's final film A Prairie Home Companion.
A comedic ensemble piece featuring Tommy Lee Jones, Kevin Kline and Woody
Harrelson, the film revolves around the behind-the-scenes activities at the
long-running public radio show of the same name. The film grossed over US$26
million, the majority of which came from domestic markets.[50] Commercially,
Streep fared better with a role in The Devil Wears Prada (2006), a loose screen
adaptation of Lauren Weisberger's 2003 novel of the same name. Portraying the
powerful and demanding fashion magazine editor and boss of a recent college
graduate (played by Anne Hathaway) Miranda Priestly, Streep's performance drew
rave reviews from critics and later earned her many award nominations, including
her record-setting 14th Oscar bid, as well as another Golden Globe. Upon its
commercial release, the film became Streep's biggest commercial success yet,
grossing more than US$326.5 million worldwide.[51]
In 2007, Streep was cast in four films. She portrayed a wealthy university
patron in Chen Shi-zheng's much-delayed feature drama Dark Matter (2007), a film
about a Chinese science graduate student who becomes violent after dealing with
academic politics at a U.S. university. Inspired by the events of the 1991
University of Iowa shooting,[52] and initially scheduled for a 2007 release,
producers and investors decided to shelve Dark Matter out of respect for the
Virginia Tech massacre in April 2007.[53] The drama received negative to mixed
reviews upon its limited 2008 release.[54] Streep played a U.S. government
official, who investigates an Egyptian foreign national in Washington, D.C.,
suspected of terrorism in the Middle East, in the political thriller Rendition
(2007), directed by Gavin Hood.[55] Keen to get involved into a thriller film,
Streep welcomed the opportunity to star in a film genre for which she was not
usually offered scripts and immediately signed on to the project.[56] Upon its
release, Rendition was less commercially successful,[57] and received mixed
reviews.[58]
Also in 2007, Streep had a short role alongside Vanessa Redgrave, Glenn Close
and her eldest daughter Mamie Gummer in Lajos Koltai's drama film Evening, based
on the 1998 novel of the same name by Susan Minot. Switching between the present
and the past, it tells the story of a bedridden woman, who remembers her
tumultuous life in the mid-1950s.[59] The film was released to lukewarm
reactions by critics, who called it "beautifully filmed, but decidedly dull
[and] a colossal waste of a talented cast."[60][61] Streep's last film of 2007
was Robert Redfords Lions for Lambs, a film about the connection between a
platoon of United States soldiers in Afghanistan, a U.S. senator, a reporter,
and a California college professor.
In 2008, Streep found major commercial success when she starred in Phyllida
Lloyd's Mamma Mia!, a film adaptation of the musical of the same name, based on
the songs of Swedish pop group ABBA. Co-starring Amanda Seyfried, Pierce
Brosnan, and Colin Firth, Streep played a single mother and a former backing
singer, whose daughter (Seyfried), a bride-to-be who never met her father,
invites three likely paternal candidates to her wedding on an idyllic Greek
island.[62] An instant box office success, Mamma Mia! became Streep's
highest-grossing film to date, with box office receipts of US$602.6 million,[63]
also ranking it first among the highest-grossing musical films of all-time.[64]
Nominated for another Golden Globe, Streep's performance was generally
well-received by critics, with Wesley Morris of the Boston Globe commenting "the
greatest actor in American movies has finally become a movie star."[65] Streep's
other film of 2008 was Doubt featuring Philip Seymour Hoffman, Amy Adams, and
Viola Davis. A drama revolving around the stern principal nun (Streep) of a
Bronx Catholic school in 1964 who brings charges of pedophilia against a popular
priest (Hoffman), the film became a moderate box office success,[66] but was
hailed by many critics as one of the best of 2008.[67] The film received five
Academy Awards nominations, for its four lead actors and for Shanley's
script.[44]
In 2009, Streep played chef Julia Child in Nora Ephron's Julie & Julia,
co-starring Amy Adams and Stanley Tucci. The first major motion picture based on
a blog, it contrasts the life of Child in the early years of her culinary career
with the life of young New Yorker Julie Powell (Adams), who aspires to cook all
524 recipes in Child's cookbook Mastering the Art of French Cooking in 365 days,
a challenge she described on her popular blog, The Julie/Julia Project, that
would make her a published author. The same year, Streep also starred in Nancy
Meyers' romantic comedy It's Complicated, with Alec Baldwin and Steve Martin.
She also received nominations for the Golden Globe Award for Best Actress –
Motion Picture Musical or Comedy for both of these films and won the award for
the former.[68] Streep later received her 16th Oscar nomination for Julie &
Julia.[69] She also lent her voice to Mrs. Felicity Fox in the stop-motion film
Fantastic Mr. Fox.
2010s
In July 2010, it was announced that Streep will star in an upcoming comedy
entitled Mommy & Me alongside Tina Fey who will play her daughter. The film is
being directed by Stanley Tucci.[70] Streep portrayed Margaret Thatcher in The
Iron Lady, a look at the Prime Minister during the Falklands War and her years
in retirement.[71] For this role, Streep won the Golden Globe Award for Best
Actress in a Motion Picture Drama, the BAFTA Award for Best Actress in a Leading
Role, and the Academy Award for Best Actress in a Leading Role.[72][73][74]
Accents and dialects
Streep is well known for her ability to imitate foreign and domestic
accents,[21] from Danish in Out of Africa (1985), to British RP in Plenty (also
1985), The French Lieutenant's Woman and The Iron Lady (2011), to Italian in The
Bridges of Madison County (1995), to a Midwestern dialect in A Prairie Home
Companion (2006). In A Cry in the Dark (1988), most critics were impressed with
Streep's performance and ability to master an Australian accent.[75] For her
role in the film Sophie's Choice (1982), she took a language course in Polish
for four months,[21] in order to accurately display a Polish accent. In The Iron
Lady, she reproduced the vocal style of Margaret Thatcher, from the time before
she became Britain's Prime Minister, and after she had taken elocution lessons
to change her pitch, pronunciation and delivery. Despite the accolades accorded
to her, Streep has responded to praise with the assertion that adopting accents
is an element that she simply considers an obvious part of her task in creating
characters. When asked whether accents help her get into character, she
responded, "I'm always baffled by this question... How could I play that part
and talk like me?" When questioned as to how she reproduces different accents,
Streep replied, "I listen."[76]
Theatre
In New York City, she appeared in the 1976 Broadway double bill of Tennessee
Williams' 27 Wagons Full of Cotton and Arthur Miller's A Memory of Two Mondays.
For the former, she received a Tony Award nomination for Best Featured Actress
in a Play. Her other early Broadway credits include Anton Chekhov's The Cherry
Orchard and the Bertolt Brecht-Kurt Weill musical Happy End in which she
originally appeared off-Broadway at the Chelsea Theater Center. She received
Drama Desk Award nominations for both productions. Once Streep's film career
flourished, she took a long break from stage acting.
In July 2001, Streep returned to the stage for the first time in more than
twenty years, playing Arkadina in the Public Theater's revival of Anton
Chekhov's The Seagull. The staging, directed by Mike Nichols, also featured
Kevin Kline, Natalie Portman, Philip Seymour Hoffman, Christopher Walken, Marcia
Gay Harden, and John Goodman.
In August and September 2006, she starred onstage at The Public Theater's
production of Mother Courage and Her Children at the Delacorte Theatre in
Central Park.[77] The Public Theater production was a new translation by
playwright Tony Kushner (Angels in America), with songs in the Weill/Brecht
style written by composer Jeanine Tesori (Caroline, or Change); veteran director
George C. Wolfe was at the helm. Streep starred alongside Kevin Kline and Austin
Pendleton in this three-and-a-half-hour play in which she sang and appeared in
almost every scene.
Music
After Streep appeared in Mamma Mia!, her rendition of the song "Mamma Mia" rose
to popularity in the Portuguese music charts, where it peaked at #8 in October
2008.[78]
At the 35th People's Choice Awards, her version of Mamma Mia won an award for
"Favorite Song From A Soundtrack".[79] In 2008, Streep was nominated for a
Grammy Award (her fifth nomination) for her work on the Mamma Mia! soundtrack.
Philanthropy
Streep is the spokesperson for the National Women's History Museum, to which she
has donated a significant amount of money (including her fee for The Iron Lady)
and hosted numerous events. [80]
Personal life
Streep lived with actor John Cazale for three years until his death in March
1978.[81][82] Streep married sculptor Don Gummer on September 15, 1978.[83] They
have four children: Henry "Hank" Wolfe Gummer (born November 13, 1979), Mary
Willa "Mamie" Gummer (born August 3, 1983), Grace Jane Gummer (born May 9,
1986), and Louisa Jacobson Gummer (born June 12, 1991). Both Mamie and Grace are
actresses.[6] Hank is a musician who performs under the name Henry Wolfe.[84]
When asked if religion plays a part in her life, in an interview in 2009, Streep
replied, "I follow no doctrine. I don't belong to a church or a temple or a
synagogue or an ashram."[85] Streep does not rule out the possibility that God
exists, “I do have a sense of trying to make things better. Where does that come
from?”[86]
Awards
Streep holds the record for the most Academy Award nominations of any actor,
having been nominated seventeen times since her first nomination in 1979 for The
Deer Hunter (fourteen for Best Actress and three for Best Supporting Actress).
Streep is also the most-nominated performer for a Golden Globe Award (with 26
nominations) and, with her overall eighth win for The Iron Lady in 2012, has won
the most Golden Globes (excluding special awards).
In 1983, Yale - from which Streep had graduated in 1975 [87] - was the first
university to award her an honorary degree, a Doctorate of Fine Arts. [88] In
1998, Women in Film awarded Streep with the Crystal Award for outstanding women
who have helped expand the role of women within the entertainment industry.[89]
In 2003, Streep was awarded an honorary César Award by the French Académie des
Arts et Techniques du Cinéma. In 2004, at the Moscow International Film
Festival, Streep was honored with the Stanislavsky Award for the outstanding
achievement in the career of acting and devotion to the principles of
Stanislavsky's school. Also in 2004, Streep received the AFI Life Achievement
Award. In 2009, she was awarded an honorary Doctorate of Fine Arts by Princeton
University.[90] In 2010, she was elected to the American Academy of Arts and
Letters and was awarded an honorary Doctor of Arts degree by Harvard
University.[91][92]
Streep received a star on the Hollywood Walk of Fame in 1998, and May 27, 2004
was proclaimed "Meryl Streep Day" by Manhattan Borough President C. Virginia
Fields.
In 2008, Streep was inducted into the New Jersey Hall of Fame.[93]
On December 4, 2011 (program aired on CBS-TV on December 27, 2011), Streep
received the 2011 Kennedy Center Honor (along with Neil Diamond, Yo-Yo Ma, Sonny
Rollins, and Barbara Cook).
On February 12, 2012, Streep received the 2012 BAFTA award for best actress for
the movie The Iron Lady.[94]
On February 14, 2012, Streep received the Honorary Golden Bear at the 62nd
Berlin International Film Festival.[95] She previously won the Berlinale Camera
at the 49th Berlin International Film Festival in 1999.[96]
On February 26, 2012, Streep received the Oscar for Best Actress for her role in
The Iron Lady.
Filmography
|
Year |
Title |
Role |
Notes |
|
1978 |
The Deer Hunter |
Linda |
American Movie Award for
Best Supporting Actress
National Society of Film
Critics Award for Best Supporting Actress
Nominated - Academy
Award for Best Supporting Actress
Nominated - BAFTA Award
for Best Actress in a Leading Role
Nominated - Golden Globe
Award for Best Supporting Actress – Motion Picture |
|
1979 |
Manhattan |
Jill |
Los Angeles Film Critics
Association Award for Best Supporting Actress (also for The Seduction of
Joe Tynan and Kramer vs. Kramer)
National Board of Review
Award for Best Supporting Actress (also for The Seduction of Joe Tynan
and Kramer vs. Kramer)
National Society of Film
Critics Award for Best Supporting Actress (also for The Seduction of Joe
Tynan and Kramer vs. Kramer)
Nominated - BAFTA Award
for Best Actress in a Supporting Role |
|
1979 |
Kramer vs. Kramer |
Joanna Kramer |
Academy Award for Best
Supporting Actress
Golden Globe Award for
Best Supporting Actress – Motion Picture
Kansas City Film Critics
Circle Award for Best Actress
Los Angeles Film Critics
Association Award for Best Supporting Actress (also for The Seduction of
Joe Tynan and Manhattan)
National Board of Review
Award for Best Supporting Actress (also for Manhattan and The Seduction
of Joe Tynan)
National Society of Film
Critics Award for Best Supporting Actress (also for The Seduction of Joe
Tynan and Manhattan)
New York Film Critics
Circle Award for Best Supporting Actress (and also The Seduction of Joe
Tynan)
Nominated - BAFTA Award
for Best Actress in a Leading Role |
|
1981 |
The French
Lieutenant's Woman |
Sarah/Anna |
BAFTA Award for Best
Actress in a Leading Role
Golden Globe Award for
Best Actress – Motion Picture Drama
Los Angeles Film Critics
Association Award for Best Actress
Nominated - Academy
Award for Best Actress |
|
1982 |
Sophie's Choice |
Sophie Zawistowski |
Academy Award for Best
Actress
Boston Society of Film
Critics Award for Best Actress
Golden Globe Award for
Best Actress – Motion Picture Drama
Kansas City Film Critics
Circle Award for Best Actress
Los Angeles Film Critics
Association Award for Best Actress
National Board of Review
Award for Best Actress
National Society of Film
Critics Award for Best Actress
New York Film Critics
Circle Award for Best Actress
Nominated - BAFTA Award
for Best Actress in a Leading Role |
|
1983 |
Silkwood |
Karen Silkwood |
Kansas City Film Critics
Circle Award for Best Actress
Nominated - Academy
Award for Best Actress
Nominated - BAFTA Award
for Best Actress in a Leading Role
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama |
|
1985 |
Out of Africa |
Karen Blixen |
David di Donatello Award
for Best Foreign Actress (Migliore Attrice Straniero)
Kansas City Film Critics
Circle Award for Best Actress
Los Angeles Film Critics
Association Award for Best Actress
Nominated - Academy
Award for Best Actress
Nominated - BAFTA Award
for Best Actress in a Leading Role
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama |
|
1987 |
Ironweed |
Helen Archer |
Nominated - Academy
Award for Best Actress |
|
1988 |
A Cry in the Dark |
Lindy Chamberlain |
Australian Film
Institute Award for Best Actress in a Leading Role
New York Film Critics
Circle Award for Best Actress
Best Actress Award
(Cannes Film Festival)
Nominated - Academy
Award for Best Actress
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama |
|
1990 |
Postcards from the
Edge |
Suzanne Vale |
American Comedy Award
for Funniest Actress in a Motion Picture (Leading Role)
Nominated - Academy
Award for Best Actress
Nominated - Golden Globe
Award for Best Actress – Motion Picture Musical or Comedy |
|
1995 |
The Bridges of
Madison County |
Francesca Johnson |
Nominated - Academy
Award for Best Actress
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Female Actor in a
Leading Role |
|
1998 |
One True Thing |
Kate Gulden |
Nominated - Academy
Award for Best Actress
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama
Nominated - Satellite
Award for Best Supporting Actress – Motion Picture
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Female Actor in a
Leading Role |
|
1999 |
Music of the Heart |
Roberta Guaspari |
Nominated - Academy
Award for Best Actress
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Female Actor in a
Leading Role |
|
2002 |
Adaptation. |
Susan Orlean |
Chicago Film Critics
Association Award for Best Supporting Actress
Florida Film Critics
Circle Award for Best Supporting Actress
Golden Globe Award for
Best Supporting Actress – Motion Picture
Satellite Award for Best
Supporting Actress – Motion Picture
Silver Bear for Best
Actress
Southeastern Film
Critics Association Award for Best Supporting Actress
Nominated - Academy
Award for Best Supporting Actress
Nominated - BAFTA Award
for Best Actress in a Supporting Role
Nominated - Broadcast
Film Critics Association Award for Best Supporting Actress
Nominated - London Film
Critics Circle Award for Actress of the Year
Nominated - Online Film
Critics Society Award for Best Supporting Actress
Nominated - Phoenix Film
Critics Society Award for Best Supporting Actress
Nominated - Phoenix Film
Critics Society Award for Best Cast
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Cast in a Motion
Picture |
|
2002 |
The Hours |
Clarissa Vaughan |
Silver Bear for Best
Actress in Berlin International Film Festival (with Julianne Moore and
Nicole Kidman)
Nominated - BAFTA Award
for Best Actress in a Leading Role
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama
Nominated - Las Vegas
Film Critics Society Award for Best Supporting Actress
Nominated - Phoenix Film
Critics Society Award for Best Cast
Nominated - Satellite
Award for Best Supporting Actress – Motion Picture
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Cast in a Motion
Picture |
|
2004 |
The Manchurian
Candidate |
Eleanor Shaw |
Nominated - BAFTA Award
for Best Actress in a Supporting Role
Nominated - Golden Globe
Award for Best Supporting Actress – Motion Picture
Nominated - Saturn Award
for Best Supporting Actress |
|
2006 |
The Devil Wears
Prada |
Miranda Priestly |
Golden Globe Award for
Best Actress – Motion Picture Musical or Comedy
London Film Critics
Circle Award for Actress of the Year
National Society of Film
Critics Award for Best Supporting Actress
Online Film Critics
Society Award for Best Actress
Satellite Award for Best
Actress – Motion Picture Musical or Comedy
Nominated - Academy
Award for Best Actress
Nominated - BAFTA Award
for Best Actress in a Leading Role
Nominated - Broadcast
Film Critics Association Award for Best Actress
Nominated - Chicago Film
Critics Association Award for Best Actress
Nominated - MTV Movie
Award for Best Villain
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Female Actor in a
Leading Role |
|
2008 |
Mamma Mia! |
Donna |
Kansas City Film Critics
Circle Award for Best Actress
Phoenix Film Critics
Society Award for Best Actress
Washington D.C. Area
Film Critics Association Award for Best Actress
Nominated - Chicago Film
Critics Association Award for Best Actress
Nominated - Golden Globe
Award for Best Actress – Motion Picture Musical or Comedy
Nominated - London Film
Critics Circle Award for Actress of the Year |
|
2008 |
Doubt |
Sister Aloysius
Beauvier |
Broadcast Film Critics
Association Award for Best Actress
Kansas City Film Critics
Circle Award for Best Actress
National Board of Review
Award for Best Cast
Phoenix Film Critics
Society Award for Best Actress
Screen Actors Guild
Award for Outstanding Performance by a Female Actor in a Leading Role
Washington D.C. Area
Film Critics Association Award for Best Actress
Nominated - Academy
Award for Best Actress
Nominated - BAFTA Award
for Best Actress in a Leading Role
Nominated - Broadcast
Film Critics Association Award for Best Cast
Nominated - Chicago Film
Critics Association Award for Best Actress
Nominated - Golden Globe
Award for Best Actress – Motion Picture Drama
Nominated - London Film
Critics Circle Award for Actress of the Year
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Cast in a Motion
Picture |
|
2009 |
Julie & Julia |
Julia Child |
Boston Society of Film
Critics Award for Best Actress
Broadcast Film Critics
Association Award for Best Actress
Golden Globe Award for
Best Actress – Motion Picture Musical or Comedy
Kansas City Film Critics
Circle Award for Best Actress
New York Film Critics
Circle Award for Best Actress
Phoenix Film Critics
Society Award for Best Actress
Satellite Award for Best
Actress – Motion Picture Musical or Comedy
Southeastern Film
Critics Association Award for Best Actress
Nominated -Academy Award
for Best Actress
Nominated - BAFTA Award
for Best Actress in a Leading Role
Nominated - Chicago Film
Critics Association Award for Best Actress
Nominated - London Film
Critics Circle Award for Actress of the Year
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Female Actor in a
Leading Role |
|
2009 |
It's Complicated |
Jane Adler |
Nominated - Golden
Globe Award for Best Actress – Motion Picture Musical or Comedy |
|
2011 |
The Iron Lady |
Margaret Thatcher |
Academy Award for Best
Actress
AACTA International
Award for Best Actress
BAFTA Award for Best
Actress in a Leading Role
Denver Film Critics
Society Award for Best Actress
Golden Globe Award for
Best Actress – Motion Picture Drama
New York Film Critics
Circle Award for Best Actress
New York Film Critics
Online Award for Best Actress
London Film Critics
Circle Award for Actress of the Year
Southeastern Film
Critics Association Award for Best Actress
UK's Annual Regional
Film Awards for Best Actress
Nominated - Alliance of
Women Film Journalists Award for Best Actress
Nominated - Alliance of
Women Film Journalists Award for Actress Defying Age and Ageism
Nominated - Alliance of
Women Film Journalists Award for Female Icon Award
Nominated - Boston
Society of Film Critics Award for Best Actress (runner-up)
Nominated - Broadcast
Film Critics Association Award for Best Actress
Nominated - Chicago Film
Critics Association Award for Best Actress
Nominated - Dallas-Fort
Worth Film Critics Association Award for Best Actress
Nominated - Detroit Film
Critics Society Award for Best Actress
Nominated - Houston Film
Critics Society Award for Best Actres
Nominated - Iowa Film
Critics Awards for Best Actress
Nominated - Irish Film &
Television Award for Best International Actress
Nominated - National
Society of Film Critics Award for Best Actress
Nominated - Online Film
Critics Society Award for Best Actress
Nominated - Toronto Film
Critics Association Award for Best Actress
Nominated - Satellite
Award for Best Actress – Motion Picture Drama
Nominated - St. Louis
Gateway Film Critics Association Award for Best Actress
Nominated - Vancouver
Film Critics Circle Award for Best Actress
Nominated - Washington
D.C. Area Film Critics Association Award for Best Actress
Nominated - Screen
Actors Guild Award for Outstanding Performance by a Female Actor in a
Leading Role |
See also
List of people from New Jersey
List of American actresses
List of actors with two or more Academy Awards in acting categories
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89.^ "Award recipients" WIF.org web site
90.^ Quiñones, Eric (2009-06-02). "Princeton Awards Five Honorary Degrees".
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Bibliography
Napoleon, Davi (1991). Chelsea on the Edge: The Adventures of an American
Theater. Includes discussion of Streep's performance in Robert Kalfin's
production of Happy End at the Chelsea Theater and on Broadway. Iowa State
University Press. ISBN-0-8138-1713-7.
Finding Herself: The Prime of Meryl Streep by Molly Haskell, Film Comment,
May/June 2008.
Hollinger, Karen (2006). The Actress – Hollywood Acting and the Female Star.
Routledge. ISBN 0415977924. http://books.google.com/?id=89W0QMDjA7gC&pg=PA71&dq=Meryl+Streep#PPA76,M1.
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